THE ROLE OF BURINS AND THEIR RELATIONSHIP WITH ART THROUGH TRACE ANALYSIS AT THE UPPER PALAEOLITHIC SITE OF POLESINI CAVE (LATIUM, ITALY)
Flavia Venditti, Cristina Lemorini, Magda Bordigoni, Daniela Zampetti, Mario Amore, Antonio Tagliacozzo

THE STATE OF THE LATE NEOLITHIC POTTERY OF DOMUZTEPE IN THE TURKISH EASTERN MEDITERRANEAN
Halil Tekin

SIGN AND IMAGE: REPRESENTATIONS OF PLANTS ON THE WARKA VASE OF EARLY MESOPOTAMIA
Naomi F. Miller, Philip Jones, Holly Pittman

THE EARLY STAGES OF THE SUMERIAN CITY AT TELL ZURGHUL: NEW RESULTS FROM RECENT EXCAVATIONS
Davide Nadali, Andrea Polcaro

DOMESTIC LIVESTOCK, PASTORAL NOMADISM AND COMPLEX SOCIETIES IN THE NILE VALLEY: REFLECTIONS ON OLD QUESTIONS
Isabella Caneva

THE FONDARCA CAVE AND CAVITIES USED AS A CULT PLACE DURING THE BRONZE AGE IN CENTRAL ITALY
Gian Maria Di Nocera

– POTTERY IN GROTTA DELLE NOTTOLE
Patrizia Costa, Francesco Marano, Elena Pizzo, Fabio Rossi

– GEOLOGY AND TOPOGRAPHY AT GROTTA DELLE NOTTOLE
Giorgio Brocato, Filippo Bozzo, Federico Moresi, Giancarlo Pastura, Emilia Gallo

– FAUNAL ANALYSIS
Azzurra Mascelloni

– SPECTROSCOPIC INVESTIGATION OF METAL AND AMBER OBJECTS

FROM THE BRONZE AGE SITE OF FONDARCA
Giorgia Agresti, Claudia Pelosi, Ulderico Santamaria

THE EARLIEST PROCESSES TOWARD CITY-STATES, POLITICAL POWER AND SOCIAL STRATIFICATION IN MIDDLE TYRRHENIAN ITALY
Marco Pacciarelli

“THE KING AT THE GATE”. MONUMENTAL FORTIFICATIONS AND THE RISE OF LOCAL ELITES AT ARSLANTEPE AT THE END OF THE 2ND MILLENNIUM BCE
Federico Manuelli, Lucia Mori

THE ELEPHANT REMAINS FROM GAVUR LAKE (SOUTH-EASTERN TURKEY). RESTORATION AND DISPLAY
Nadire Mine Yar, Fabio Parenti, Ebru Albayrak, Coskun Köysu

– SIGNIFICANCE OF THE GAVUR LAKE ELEPHANT FOR THE HISTORY OF BRONZE AND IRON AGE ANATOLIA
Silvia Alaura

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L'articolo Origini – XXXIX proviene da Gangemi.

This volume gathers the proceedings of The future of the contemporary. Conservation and restoration of design, first international conference on the subject in Italy, which was held at the Plart Foundation in Naples on May 14th and 15th 2015 during the International Design Festival. Design and art historians, Italian and international museum directors, gallerists, restorers, conservation scientists and designers take stock of the issues regarding the conservation of design, term that comprehends a great heritage of know-how and objects, icons of our contemporaneity, that are to be transmitted to the future as they are testimonies of our civilization. Five sections explore the different issues faced during the conference: Today’s design between past and future: art, architecture, handcraft and industry; Issues in the conservation of contemporary art and design; Over to the designers: research, innovation and durability; Conservation of design: Italian and international research; New frontiers: bio plastics and sustainable restoration. The initiative is in line with the policies of the Plart Museum, a centre of excellence in Italy that preserves, studies and promotes a great historical collection of plastic design objects and that pursues the diffusion of the culture of synthetic materials for design and the scientific research regarding their conservation.

L'articolo Il futuro del contemporaneo – The future of the contemporary proviene da Gangemi.